13211Chuyện xưa kết đi, được chưa?
Bao gồm tập truyện ngắn: Sách cấm, mắc cạn, cái búng, cũ xưa, giang, mối ngờ, thách đấu, bội phản, gọi con, bằng chứng, đêm trừ tịch, hữu huynh, quay lưng.
13212Cigar companion
Presents the ultimate resource, an easy-to-use, full-color guide with ratings and tasting notes for more than 200 fine cigars, organized by brand. For less than the price of 3 good cigars, it also explores the history and production of cigars, with expert advice on buying, storage, preparation, and smoking etiquette. With a wealth of useful information, this is an essential reference for both connoisseurs and those just beginning to appreciate the pleasures of cigars.
13213Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: In a continuation of its 25th Anniversary publishing celebration, Cinefex delves into an examination of the state of the business of visual effects as discussed by some two dozen of the industry's leading authorities. Also, an examination of The Aviator, which tells the story of billionaire eccentric Howard Hughes. Learn how director Martin Scorsese turned to visual effects supervisor Rob Legato and artists at Sony Pictures Imageworks and New Deal Studios. Also under the microscope is Son of the Mask, a sequel to the 1994 Jim Carrey comedy. Visual effects for the film, including a CG infant and a variety of wacky transformations, are being created by Industrial Light & Magic, Tippett Studio, Kleiser-Walczak and Captive Audience.
13214Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: In a continuation of its 25th Anniversary publishing celebration, Cinefex delves into an examination of the state of the business of visual effects as discussed by some two dozen of the industry's leading authorities. Also, an examination of The Aviator, which tells the story of billionaire eccentric Howard Hughes. Learn how director Martin Scorsese turned to visual effects supervisor Rob Legato and artists at Sony Pictures Imageworks and New Deal Studios. Also under the microscope is Son of the Mask, a sequel to the 1994 Jim Carrey comedy. Visual effects for the film, including a CG infant and a variety of wacky transformations, are being created by Industrial Light & Magic, Tippett Studio, Kleiser-Walczak and Captive Audience.
13215Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: In a continuation of its 25th Anniversary publishing celebration, Cinefex delves into an examination of the state of the business of visual effects as discussed by some two dozen of the industry's leading authorities. Also, an examination of The Aviator, which tells the story of billionaire eccentric Howard Hughes. Learn how director Martin Scorsese turned to visual effects supervisor Rob Legato and artists at Sony Pictures Imageworks and New Deal Studios. Also under the microscope is Son of the Mask, a sequel to the 1994 Jim Carrey comedy. Visual effects for the film, including a CG infant and a variety of wacky transformations, are being created by Industrial Light & Magic, Tippett Studio, Kleiser-Walczak and Captive Audience.
13216Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: In a continuation of its 25th Anniversary publishing celebration, Cinefex delves into an examination of the state of the business of visual effects as discussed by some two dozen of the industry's leading authorities. Also, an examination of The Aviator, which tells the story of billionaire eccentric Howard Hughes. Learn how director Martin Scorsese turned to visual effects supervisor Rob Legato and artists at Sony Pictures Imageworks and New Deal Studios. Also under the microscope is Son of the Mask, a sequel to the 1994 Jim Carrey comedy. Visual effects for the film, including a CG infant and a variety of wacky transformations, are being created by Industrial Light & Magic, Tippett Studio, Kleiser-Walczak and Captive Audience.
13217Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: In a continuation of its 25th Anniversary publishing celebration, Cinefex delves into an examination of the state of the business of visual effects as discussed by some two dozen of the industry's leading authorities. Also, an examination of The Aviator, which tells the story of billionaire eccentric Howard Hughes. Learn how director Martin Scorsese turned to visual effects supervisor Rob Legato and artists at Sony Pictures Imageworks and New Deal Studios. Also under the microscope is Son of the Mask, a sequel to the 1994 Jim Carrey comedy. Visual effects for the film, including a CG infant and a variety of wacky transformations, are being created by Industrial Light & Magic, Tippett Studio, Kleiser-Walczak and Captive Audience.
13218Cinefex (1980-2021) : the journal of cinematic illusions
Cinefex is the journal of Hollywood special effects. For The Jungle Book, visual effects supervisor Rob Legato brainstormed the realization of creatures and environments with MPC and Weta Digital, with the assistance of Digital Domain, Legacy Effects and Magnopus. In Captain America: Civil War, special effects supervisor Daniel Sudick oversaw in-camera effects, with additional practical effects provided by special makeup effects artist Bart Mixon and artisans from Ironhead Studio, Legacy Effects and Quantum Creation. For X-Men: Apocalypse visual effects supervisor John Dykstra and visual effects producer Blondel Aidoo marshal the creative forces of Digital Domain, MPC, Hydraulx, and Rising Sun Pictures. Finally, in Alice Through the Looking Glass, Tim Burton and screenwriter Linda Woolverton began in their previous exploration of Lewis Carroll's fantasy classic, assisted by visual effects supervisor Ken Ralston and artisans at Sony Pictures Imageworks and Double Negative.
13219Cinefex (1980-2021) : the journal of cinematic illusions
Batman V Superman: Dawn Of Justice: D.C. Entertainment and Warner Bros. Pictures present an epic clash of superheroes, with bat-masked vigilante Bruce Wayne (Ben Affleck) confronting the Kryptonian crime-fighter (Henry Cavill) and other members of the D.C. Comics universe. Deadpool: In his feature directing debut, Tim Miller helms Deadpool, starring Ryan Reynolds as Marvel's outrageous antihero, who gains accelerated healing powers following an unauthorized military experiment. Hail, Caesar!: Directors Joel and Ethan Coen transport audiences to the Technicolor world of the 1950s with the quirky Hail, Caesar!, in which Hollywood fixer Eddie Mannix tries everything in his power to keep a movie studio's wayward stars in line. The 5th Wave: Sony Pictures Entertainment and director J Blakeson bring author Rick Yancey's popular novel series to the screen.
13220Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Star Wars: The Force Awakens - Walt Disney Pictures and Lucasfilm, Ltd. present the beginning of a new trilogy set in a distant galaxy, 30 years after the fall of the evil Emperor Palpatine, in which regional governors jockey for power, and survivors of the Rebel Alliance and the last order of Jedi Knights confront new Imperial threats. Director J.J. Abrams conjures exotic worlds and bizarre creatures, working with visual effects supervisor Roger Guyett, special effects supervisor Chris Corbould, special make-up effects supervisor Neal Scanlan and artists at ILM, Base FX, Kelvin Optical, Blind Ltd., Propshop and Imaginarium Studios. Also profiled: Spectre; The Finest Hours; and The Revenant.