12891Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Gravity - astronauts Matt Kowalsky (George Clooney) and Dr. Ryan Stone (Sandra Bullock) struggle to survive when a debris strike sends them careening into space. Visual effects supervisor Timothy Webber and artists at Framestore worked with director Alfonso Cuaron for three years to bring the space-bound scenes to life with frightening realism. Also in this issue: Thor: The Dark World; Ron Howard's '70s racing film Rush; and the 2013 remake of Carrie.
12892Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Man of Steel - producer Christopher Nolan and director Zack Snyder bring to the screen the first major retelling of the Superman origin tale since Richard Donner's classic 1978 Superman; Elysium - in his follow-up to District 9, filmmaker Neill Blomkamp presents another dystopian future, when Earth's cities have degenerated into giant slums patrolled by robot militia, and droid repairman Max De Costa (Matt Damon) attempts to escape to Elysium, a gleaming orbital space station; World War Z - Brad Pitt stars as a United Nations worker who combats a zombie invasion in this long-anticipated film from director Marc Forster; and Pacific Rim - giant monsters, known as Kaiju, emerge from a subterranean crevice beneath the Pacific Ocean in director Guillermo del Toro's new sci-fi thriller.
12893Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Star Trek Into Darkness - J.J. Abrams returns with cast and crew for a second tour of duty aboard the starship Enterprise, reprising characters from Gene Roddenberry's beloved television series, and this time tasking Captain Kirk (Chris Pine) with an intergalactic manhunt of an enigmatic villain (Benedict Cumberbatch); Iron Man 3 - director Shane Black deftly picks up the reins to deliver a third film in Marvel Studios' popular franchise; Oblivion - Tom Cruise stars as court-martialled soldier Jack Harper, sent to destroy an alien race on a distant planet; White House Down; and HENRi.
12894Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Director Sam Mendes has James Bond hunting a sinister cyber-terrorist through Istanbul, Shanghai, Macau, London and the Scottish highlands in Skyfall. Special effects supervisor Chris Corbould collaborated with visual effects supervisor Steven Begg to energize the film with a brawny blend of practical, miniature and digital effects. Plus: Jack the Giant Slayer, Oz: The Great and Powerful and Les Miserables.
12895Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Director Peter Jackson returns to J.R.R. Tolkien's Middle-earth with The Hobbit: An Unexpected Journey, a prequel story of young hobbit Bilbo Baggins' quest to reclaim a lost dwarf kingdom and his fateful meeting with Gollum. As he did for the epic The Lord of the Rings trilogy, the New Zealand-based Jackson collaborated closely with the visual effects team at Weta Digital and the practical effects wizards at Weta Workshop to bring the beloved 1937 fantasy novel to the screen, the first of a planned trilogy of films devoted to Tolkien's dense and intricate narrative. Also covered: Cloud Atlas, Life of Pi and Beasts of the Southern Wild.
12896Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Director Christopher Nolan completes his "Dark Knight Trilogy" with The Dark Knight Rises. Special effects veteran Chris Corbould orchestrated a range of spectacular effects sequences for the film, while Double Negative contributed equally stunning visual effects to realize Batman's complex world. Also, Sony reboots Marvel's Spider-Man franchise with director Marc Webb stepping in with an all-new cast for The Amazing Spider-Man. Sony Imageworks reprises its role as lead visual effects house, guided by senior visual effects supervisor Jerome Chen, on-set supervisor Jim Rygiel and animation supervisor Randall William Cook.
12897Cinefex (1980-2021) : the journal of cinematic illusions
In this issue, you'll find Real Steel set in the near-future world of professional robot boxing, and Giant Studios motion-captured professional boxers to provide visual effects supervisor Erik Nash and his crew at Digital Domain with raw data for their animated CG robots. For Rise of the Planet of the Apes, the filmmakers generated digital apes based on performances captured on-location. Hugo, the film adaptation of Brian Selznick's illustrated children's novel, The Invention of Hugo Cabret, stars Ben Kingsley as filmmaking pioneer Georges Melies in stereoscopic 3D. And rounding out the issue is The Tree of Life.
12898Cinefex (1980-2021) : the journal of cinematic illusions
Cinefex, the premiere magazine of the special effects that power today's filmmaking, explores four of the most anticipated films of the coming months. Director Jon Favreau brings Cowboys & Aliens to the big screen in a production starring Harrison Ford and Daniel Craig. Director Roland Emmerich shuns cinematic pyrotechnics in favor of Elizabethan-era political intrigue and literary mystery in Anonymous. For the eighth and last film in the series, boy wizard Harry Potter makes a final stand against his lifelong nemesis, Lord Voldemort, in Harry Potter and the Deathly Hallows: Part 2. And Marvel Entertainment presents the action-packed origin story of Marvel Comics' 1941 superhero in Captain America: The First Avenger!.
12899Cinefex (1980-2021) : the journal of cinematic illusions
Cinefex, the premiere magazine of the special effects that power today's filmmaking, explores four of the most anticipated films of the coming months. Stardust director Matthew Vaughn "reboots" Fox's X-Men franchise with X-Men: First Class, which explores the origins of the war between the X-Men and the Brotherhood of Mutants. Set in an alternate world in which man and vampires have been warring for centuries, Priest stars Paul Bettany as a man of the cloth who tracks down and kills the vampires who have kidnapped his niece. Filmmaker Duncan Jones returns with the techno-thriller Source Code, starring Jake Gyllenhaal as a covert operative who uses immersive virtual reality to investigate a repeating time loop of events.
12900Cinefex (1980-2021) : the journal of cinematic illusions
Cinefex, the premiere magazine of the special effects that power today's filmmaking, explores four of the most anticipated films of the coming months. Zack Synder presents a hallucinogenic journey in Sucker Punch; Darren Aronofsky charts a descent into madness by a young ballerina (Natalie Portman) in Black Swan; ILM makes its computer animated debut in Rango; and Battle: Los Angeles rounds out the issue.