12881Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: In a continuation of its 25th Anniversary publishing celebration, Cinefex delves into an examination of the state of the business of visual effects as discussed by some two dozen of the industry's leading authorities. Also, an examination of The Aviator, which tells the story of billionaire eccentric Howard Hughes. Learn how director Martin Scorsese turned to visual effects supervisor Rob Legato and artists at Sony Pictures Imageworks and New Deal Studios. Also under the microscope is Son of the Mask, a sequel to the 1994 Jim Carrey comedy. Visual effects for the film, including a CG infant and a variety of wacky transformations, are being created by Industrial Light & Magic, Tippett Studio, Kleiser-Walczak and Captive Audience.
12882Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: In a continuation of its 25th Anniversary publishing celebration, Cinefex delves into an examination of the state of the business of visual effects as discussed by some two dozen of the industry's leading authorities. Also, an examination of The Aviator, which tells the story of billionaire eccentric Howard Hughes. Learn how director Martin Scorsese turned to visual effects supervisor Rob Legato and artists at Sony Pictures Imageworks and New Deal Studios. Also under the microscope is Son of the Mask, a sequel to the 1994 Jim Carrey comedy. Visual effects for the film, including a CG infant and a variety of wacky transformations, are being created by Industrial Light & Magic, Tippett Studio, Kleiser-Walczak and Captive Audience.
12883Cinefex (1980-2021) : the journal of cinematic illusions
Cinefex is the journal of Hollywood special effects. For The Jungle Book, visual effects supervisor Rob Legato brainstormed the realization of creatures and environments with MPC and Weta Digital, with the assistance of Digital Domain, Legacy Effects and Magnopus. In Captain America: Civil War, special effects supervisor Daniel Sudick oversaw in-camera effects, with additional practical effects provided by special makeup effects artist Bart Mixon and artisans from Ironhead Studio, Legacy Effects and Quantum Creation. For X-Men: Apocalypse visual effects supervisor John Dykstra and visual effects producer Blondel Aidoo marshal the creative forces of Digital Domain, MPC, Hydraulx, and Rising Sun Pictures. Finally, in Alice Through the Looking Glass, Tim Burton and screenwriter Linda Woolverton began in their previous exploration of Lewis Carroll's fantasy classic, assisted by visual effects supervisor Ken Ralston and artisans at Sony Pictures Imageworks and Double Negative.
12884Cinefex (1980-2021) : the journal of cinematic illusions
Batman V Superman: Dawn Of Justice: D.C. Entertainment and Warner Bros. Pictures present an epic clash of superheroes, with bat-masked vigilante Bruce Wayne (Ben Affleck) confronting the Kryptonian crime-fighter (Henry Cavill) and other members of the D.C. Comics universe. Deadpool: In his feature directing debut, Tim Miller helms Deadpool, starring Ryan Reynolds as Marvel's outrageous antihero, who gains accelerated healing powers following an unauthorized military experiment. Hail, Caesar!: Directors Joel and Ethan Coen transport audiences to the Technicolor world of the 1950s with the quirky Hail, Caesar!, in which Hollywood fixer Eddie Mannix tries everything in his power to keep a movie studio's wayward stars in line. The 5th Wave: Sony Pictures Entertainment and director J Blakeson bring author Rick Yancey's popular novel series to the screen.
12885Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Star Wars: The Force Awakens - Walt Disney Pictures and Lucasfilm, Ltd. present the beginning of a new trilogy set in a distant galaxy, 30 years after the fall of the evil Emperor Palpatine, in which regional governors jockey for power, and survivors of the Rebel Alliance and the last order of Jedi Knights confront new Imperial threats. Director J.J. Abrams conjures exotic worlds and bizarre creatures, working with visual effects supervisor Roger Guyett, special effects supervisor Chris Corbould, special make-up effects supervisor Neal Scanlan and artists at ILM, Base FX, Kelvin Optical, Blind Ltd., Propshop and Imaginarium Studios. Also profiled: Spectre; The Finest Hours; and The Revenant.
12886Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: In the Heart of the Sea, director Ron Howard's retelling of the true events that inspired Herman Melville's 19th century classic Moby-Dick, starring Chris Hemsworth, detailing the attack of the whaling ship Essex by a monstrously large and aggressive sperm whale that resulted in the loss of the ship and most of her crew. Also profiled: Ridley Scott's The Martian; Baltasar Kormakur's Everest; and Hellboy creator Guillermo del Toro's highly anticipated gothic horror film, Crimson Peak.
12887Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Marvel Studios' Ant-Man introduces the latest hero to the Marvel Comics Universe with biochemist Dr. Hank Pym, a former crimefighter who recruits cat burglar Scott Lang to battle a rival weapons manufacturer. Alan Taylor directs Terminator Genisys, the fifth entry in the Terminator franchise launched by James Cameron in 1984. And Tom Cruise returns as IMF agent Ethan Hunt in Mission: Impossible - Rogue Nation, the fifth entry in the phenomenally successful film run.
12888Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Jurassic World - twenty-two years after Steven Spielberg joined with Industrial Light & Magic, Phil Tippett and Stan Winston Studio to bring Michael Crichton's Jurassic Park and its array of genetically engineered dinosaurs to the screen, director Colin Trevorrow helms Jurassic World; Avengers: Age of Ultron - Marvel Studios continues its box-office winning streak with this second Avengers offering, directed by Joss Whedon and starring Chris Evans, Robert Downey, Jr., Scarlett Johansson, Chris Hemsworth and Mark Ruffalo as the team; and Mad Max: Fury Road - director George Miller and Warner Bros. Pictures present the fourth film in the saga of Max Rockatansky (Tom Hardy), federal police officer turned post-apocalyptic road warrior, who this time battles the Imperator Furiosa (Charlize Theron) in the wastelands of irradiated Australia.
12889Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: Christopher Nolan's Interstellar, featuring Matthew McConaughey and Anne Hathaway; Ridley Scott's Exodus: Gods and Kings, starring Christian Bale, Sigourney Weaver and Aaron Paul; Terry Gilliam's The Zero Theorem, featuring Christoph Waltz; and a Q&A with special make-up effects designers and creature creators Tom Woodruff, Jr. and Alec Gillis.
12890Cinefex (1980-2021) : the journal of cinematic illusions
In this issue: The Hobbit: The Desolation of Smaug - filmmaker Peter Jackson continues his epic trilogy, following plucky hobbit Bilbo Baggins (Martin Freeman) to his fateful encounter with Smaug the Terrible (voiced by Benedict Cumberbatch), an ancient dragon that resides in the fallen dwarf kingdom of Erebor. Special effects supervisor Steve Ingram, Weta Workshop creature designer Richard Taylor, senior visual effects supervisor Joe Letteri and crews at Weta Digital return to the Middle-earth of J.R.R. Tolkien, creating skin-shifter Beorn, giant arachnid denizens of Mirkwood, elven woodland realms, the Lake-town of Esgaroth and the subterranean terrors of the Lonely Mountain! Also in this issue: HBO's Game of Thrones; RoboCop (2014); and Ben Stiller's remake of The Secret Life of Walter Mitty.